Portrait of a Gentleman Nicolas de Largillière Portrait, Museum of fine arts, French baroque


Portrait of a Gentleman Nicolas de Largillière Portrait, Museum of fine arts, French baroque

painting by Nicolas de Largillière National Museum of Fine Arts of Algiers: IG.3529 National Museum of Fine Arts of Algiers: Charles Louis Remond, Comte de Hergh, Capitaine de Royal Croate, Chevalier des Ordres du Roy: painting by Nicolas de Largillière Mount Holyoke College Art Museum: MH 1987.23.2 1715 Mount Holyoke College Art Museum


1724 María Ana Victoria de Borbón by Nicolas de Largillière (Museo Nacional del Prado Madrid

Nicolas de Largillière. French painter (1656-1746) Autoretrat amb vestimenta de taller, 1707, Washington, National Gallery of Art. Upload media. Wikipedia. Name in native language. Nicolas de Largillierre. Date of birth. 10 October 1656 (in Julian calendar)


Gods and Foolish Grandeur Pierre Cadeau de Mongazon, by Nicolas de Largillière, circa 171520

Nicolas de Largillierre. 1656 - 1746. He was born (and died) in Paris; he trained in Antwerp and from about 1674 was for some years an assistant to Peter Lely in England. He became a member of the French Academy in 1686 and was later Director; he is recorded as an early admirer of Chardin. He specialised in portraits, mostly of the professional.


Pin on Portraits and fashion 1710 1795

Nicolas de Largilliere, "Portrait of the Sculptor Pierre LePautre," 1689 (Norton Simon Museum, Pasadena, California) Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded. Fig. 4. Nicolas de Largillierre, "Portrait of a Woman," 1711 (Musée de Grenoble)


Nicolas de Largillière Paris, 1656 Paris, 1746 Portrait de Madame Jassaud et ses deux enfants

modifier - modifier le code - modifier Wikidata Nicolas de Largillierre , diversement orthographié jusqu'à il y a peu , né le 2 octobre 1656 à Paris , où il est mort le 20 mars 1746 , est un peintre français . Il est l'un des portraitistes les plus réputés des XVII e et XVIII e siècles. Biographie [modifier | modifier le code] Fils d'un marchand chapelier, Largillierre passe son.


of Nicolas de Largillière, Portrait of Marie Dorothée du Saux Ref.66286

When Nicolas de Largillière created this family portrait, he was at the height of his fame. Born in Paris, he spent his youth in Antwerp, where he had also become a member of the painters' guild.From 1674 to 1678, he worked for Charles II of England, subsequently returning to Paris, where he became a member of the Academy in 1686.By setting this scene in his studio, Largillière placed his.


1725 Madame Isaac de Thellusson, née Sarah le Boullenger (17001770) by Nicolas de Largillière

Nicolas de Largillierre, one of Europe's premier painters of portraits, history paintings, and still lifes during the late seventeenth century and the first four decades of the eighteenth, was born in Paris in 1656. He was the son of a hatmaker and merchant who moved with his family to Antwerp in 1659. As a boy of nine, he traveled for the.


Nicolas de Largillière (Paris 16561746) , Portrait of a man, possibly Philippe II, duc d

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NICOLAS DE LARGILLIERRE DIDIER AARON

Nicolas de Largillière (1656-1746) was one of the most highly praised artists of the second half of Louis XIV's reign. He was admired for his realistic technique and for his talent in capturing the personality of his subjects.


Marquise du Châtelet par Nicolas de Largillière (Louvre) Grand Ladies gogm

Nicolas de Largillière was among the most highly esteemed and prolific portrait painters working in the time of Louis XIV of France, and his popularity continued through the period of the regency that followed Louis's death in 1715. His portraits were admired for their deftly rendered textures and for the confident poses that lent a sense of.


NICOLAS DE LARGILLIÈRE (PARIS 16561746) auctions & price archive

James II (1633-1701)Nicolas de Largillière (1656-1746) National Maritime Museum. Saint Margaret (c.1045-1093), Queen of ScotlandNicolas de Largillière (1656-1746) National Trust, Sizergh Castle. Prince James Francis Edward Stuart (1688-1766), Son of James VII and IINicolas de Largillière (1656-1746)


Nicolas de Largillière Sartle Rogue Art History

Nicolas de Largillière, (baptized Oct. 10, 1656, Paris, France—died March 20, 1746, Paris), French historical and portrait painter who excelled in painting likenesses of the wealthy middle classes. Most artists of his time took as their standard of excellence the adherence to Classical models and an emphasis on drawing, while some broke away in favour of the style of Rubens and an emphasis.


IMG_5070 Nicolas de Largillière. 16561746. Paris. Portrai… Flickr

How many portraits do you see here? There are actually five. The artist sits on the right with his palette and brushes in hand. The engraver Gérard Edelinck (1640-1707) sits next to him, and the two hold up a portrait print that Edelinck made from Largillière's original painting (displayed at far right). The man standing behind them is Pierre Bernard, who commissioned the engraving.


synthèse des arts Groupe de Recherche en Histoire de l'Art Moderne

Biography. Born in Paris, Nicolas de Largillière trained as an artist in Antwerp, where he showed a great admiration for the Flemish Masters. At the age of eighteen he moved to England, where he was apprenticed to Peter Lely at Windsor. His talent attracted the attention of King Charles II, but due to growing hostility towards Catholics.


Nicolas de Largillière (Paris 16561746) Ref.80941

Throughout his long career, Nicolas de Largillière was renowned for his portraits. This portrait of an unknown sitter, probably a member of the newly wealthy Parisian middle class, was painted by the artist soon after he became a member of the Académie de Peinture et de Sculpture in Paris.An important bridge between the staid and conservative French portrait tradition of the seventeenth.


Nicolas de Largillière Lose in unserem Preisarchiv LotSearch

'Nicolas de Largillière positioned his figure before an atmospheric landscape and used fluent brushwork, rich autumnal colors, and exquisite treatment of draperies. All these characteristics betray his training in a Flemish late Baroque style heavily indebted to Anthony van Dyck.'