Basel Kandinsky, Marc & Der Blaue Reiter at the Beyeler Inexhibit
The other major movement within German Expressionism, Der Blaue Reiter focused on abstraction in art and claimed that colors held a spiritual value beyond the emotional value attributed to them by Die Brücke. Though they pursued different goals, the two movements tilled common artistic ground and often addressed similar themes, and by the.
Kunstdruck Kandinsky Der Blaue Reiter von Kandinsky
The Blue Rider (German: Der Blaue Reiter) is an oil painting executed in Bavaria in 1903 by the Russian emigré artist Wassily Kandinsky.It is now held in a private collection in Zürich, and shares its name with an almanac and the art movement he would co-found with Franz Marc in the early 1910s.
Culture Weekend "Blaue Reiter" (W. Kandinsky & F. Marc)
Der Blaue Reiter. (The Blue Rider) Formed in 1911 in Munich as an association of painters and an exhibiting society led by Vasily Kandinsky and Franz Marc. Using a visual vocabulary of abstract forms and prismatic colors, Blaue Reiter artists explored the spiritual values of art as a counter to [what they saw as] the corruption and materialism.
kandinsky der blaue reiter ZVAB
More broadly, Der Blaue Reiter was in the vanguard of the movement towards expressionism and abstraction, leading the way for Gorky, Pollock, Basquiat and their proliferation of artistic heirs today. Wassily Kandinsky, ZUM THEMA JÜNGSTES GERICHT (ON THE THEME OF THE LAST JUDGEMENT), 1913. Lot Sold $22,879,000, November 2018.
Der Blaue Reiter von PIPER
Summary of Der Blaue Reiter. One of the two pioneering movements of German Expressionism, Der Blaue Reiter began in Munich as an abstract counterpart to Die Brücke's distorted figurative style. While both confronted feelings of alienation within an increasingly modernizing world, Der Blaue Reiter sought to transcend the mundane by pursuing the.
Doris Kutschbach Der Blaue Reiter. Prestel junior Verlag (Paperback )
The Blue Rider. The Lenbachhaus has the world's largest collection of art of "Der Blaue Reiter" (The Blue Rider), one of the most important groups of avant-garde artists in the early twentieth century. The core of this treasure consists of the generous donation by the painter Gabriele Münter, who was Wassily Kandinsky's companion until 1914.
Kandinsky, Marc & Der Blaue Reiter. (English edition) / 38,00
Der Blaue Reiter. Der Blaue Reiter ( The Blue Rider) is a designation by Wassily Kandinsky and Franz Marc for their exhibition and publication activities, in which both artists acted as sole editors in the almanac of the same name, first published in mid-May 1912. The editorial team organized two exhibitions in Munich in 1911 and 1912 to.
Kandinsky, Marc & Der Blaue Reiter Artinside
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German Art Movements of the Early 20th Century The Art History Archive
Der Blaue Reiter was formed in 1911 in Munich as a loose association of painters led by Vasily Kandinsky and Franz Marc. They shared an interest in abstracted forms and prismatic colors, which, they felt, had spiritual values that could counteract the corruption and materialism of their age. The flattened perspective and reductive forms of.
Der Blaue Reiter History, Characteristics, Artists Sotheby’s
The 1912 art book Der Blaue Reiter (The Blue Rider) was originally intended to be a yearly "almanac" published by a Munich-based artists' collective of the same name. It is a fascinating document of the early-twentieth century Expressionist art scene, featuring a dozen essays on topics ranging from so-called primitive masks to the stage direction for an experimental "color-tone drama.
Kandinsky, Marc und der Blaue Reiter
Der Blaue Reiter were a group of international artists based in Munich who experimented with Abstraction and Expressionism. Initially founded by Wassily Kandinsky and Franz Marc, other members included Paul Klee, August Macke, Marianne von Werefkin and Alexej von Jawlensky. Along with the Die Brucke movement in Dresden, they laid the foundation.
Der Blaue Reiter (The Blue Rider) Museum of Fine Arts, Boston
Der Blaue Reiter, (German: "The Blue Rider") organization of artists based in Germany that contributed greatly to the development of abstract art. Neither a movement nor a school with a definite program, Der Blaue Reiter was a loosely knit organization of artists that organized group shows between 1911 and 1914.
Deutsch für alle DER BLAUE REITER
The 1912 art book Der Blaue Reiter (The Blue Rider) was originally intended to be a yearly "almanac" published by a Munich-based artists' collective of the same name. It is a fascinating document of the early-twentieth century Expressionist art scene, featuring a dozen essays on topics ranging from so-called primitive masks to the stage direction for an experimental "color-tone drama.
Kandinsky, Marc und der Blaue Reiter
Almanach Der blaue Reiter (1911) by Kandinsky, Vassily Centre Pompidou. Alongside the creation of the Almanac, in February 1912, Der Blaue Reiter put on a second exhibition in Munich, continuing to focus on the promotion of modern art. This exhibition, titled "Black and White," was dedicated to graphic works.
Der Blaue Reiter (The Blue Rider) Tutt'Art Pittura * Scultura * Poesia * Musica
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Der Blaue Reiter lex.dk Den Store Danske
The idea ultimately spawned this single volume, as well as two exhibitions and a loose association of artists. The title Der Blaue Reiter (The Blue Rider) arose accidentally over coffee: as Kandinsky would recall in 1930, "We both loved blue, Marc—horses; I—riders. So the name invented itself." The varied content of Der Blaue Reiter.